Song of the Week
Song of the Week: “Chanukah in West Virginia” (Scott Simons)
Dec 19th
With the exception of The Hallelujah Chorus and the Charlie Brown soundtrack, I loathe Christmas music, partly because most songs are like Katy Perry tunes — fun and catchy the first ten times you hear them, fine for the next twenty to one hundred plays, and irritating thereafter — but mostly because they function as an omnipresent reminder of ALL OF THE THINGS WE NEED TO ACCOMPLISH BY DECEMBER 25, most of which involve spending money on stuff no one really wants.
So. I won’t use this space to promote a Christmas song because we’ve all heard too many of them already. Instead, here’s a fun and heartfelt Chanukah song with a homespun video that I love — it’s like a digital equivalent of the shoe box dioramas we used to make in the days before Michael’s craft stores. Happy Chanukah . . . merry almost-Christmas . . . and a joyous new year to all.
“Chanukah in West Virginia,” Scott Simons
Song of the Week: “Hit Me Baby, One More Time,” Fountains of Wayne
Oct 17th
This week’s song choice is not just an excuse for me to post a picture of myself dressed as Britney Spears.
Okay, maybe it is.
I love Britney! She’s crazy and adorable and crazy and she sings like a chipmunk AND SHE’S CRAZY. How can you not love her? But the truth is, I was never completely comfortable with her singing “Hit me baby, one more time.” Poor little vulnerable kitten! What big meanie music producer made her sing those lyrics?
So, for the song of the week, I’m going with the Fountains of Wayne cover. Don’t tell Britney I said so, but they actually sing way better than she does.
Halloween tip of the day: “Classic Britney” is a really fun costume, especially if you manage to sneak “My Prerogative” onto the party playlist. My husband was a reluctant Kevin Federline, but at least I didn’t make him be fat Kevin.
What Came First: The Soundtrack to my Brain
Oct 3rd
Want to win a signed book
or a $50 Barnes & Noble gift card?
Enter my Baby Name Contest.
ONE MORE DAY till What Came First is out in stores! And know what is really exciting? I just figured out how to create an iTunes playlist and how to link it to this blog post.
I. Am. Awesome.
True, I posted a playlist once before, but I must have been in some weird fugue state because I had absolutely no idea how I did it. Anyway, if you’re just tuning in, I listen to music a lot (though never while I’m writing), partly because I like music and partly because it helps loosen up my brain and get me in touch with my characters. Or something.
What Came First is the first book I’ve written from multiple perspectives, and it took me awhile to get a handle on all of the characters. One thing that helped: deciding what kind of music everyone enjoyed. Laura, the single mom and lawyer, liked Michael Buble and sixties sunshine pop, while Vanessa, the dental office receptionist, preferred Rihanna. As for Wendy, the frazzled mother of two tantrum-prone five-year-olds — she just wanted silence.
Here’s the link: What Came First playlist
If you actually link on the playlist (c’mon . . . make me proud), you may notice that there are two versions of the Rihanna song “Umbrella,” but neither is sung by Rihanna. That’s because:
1. Vanessa and her boyfriend have different tastes in music, and she liked the original version, while he liked the mellower Scott Simons cover, BUT
2. This is my playlist and I don’t really like Rihanna so I took her version off, AND
3. When I put my list on Ping, I initially selected an All Time Low “Umbrella” cover by mistake, but I don’t know how to delete it .
Which means? I. Am. Not. Awesome. Damn.
Anyway, there’s no official Scott Simons “Umbrella” video on YouTube, but here’s an unofficial — and kind of comically literal — collage thing. And if you don’t like comically literal collages? Just close your eyes and listen. I think you’ll like it.
Song of the Week: “Almost,” Bowling for Soup
Sep 19th
I love Bowling for Soup for a whole bunch of reasons. Their tunes are catchy, their vibe is happy, and their lyrics are funny. They take their music seriously — without taking themselves too seriously. Or at all seriously. A lot of us artsy types could learn from that.
“Almost” is the first song on my Getting Warmer playlist. I envisioned it playing on the radio as chronically late high school teacher Natalie rushed to get to work in the morning.
Okay, the real reason I love “Almost”? Because Bowling for Soup managed to rhyme “Texas” with “breast-es.”
Pure genius.
For full lyrics, check out this YouTube video:
Song of the Week: “Overkill,” Men at Work
Sep 12th
Sorry to have been away from the blog for a week, but I, um . . . the thing is . . . well, my computer connection, and uh . . . Okay, I have no good reason. But hey! I’m back and it’s Monday, which means it’s time for the song of the week.
In a few weeks, What Came First will be in stores. I am not one of those authors who considers her books to be an extension of self or, worse, as her children. But since What Came First is about motherhood in all its stages (okay, all its early stages), please forgive me for saying that the gestation of this book was fraught with complications and the labor was painful. (See? This is why I avoid these kinds of metaphors.) It was the first time I’ve ever written from several different perspectives, and I was determined to understand my three main characters in all their complexities and to channel them with three distinct voices. Which was frankly a pain in the butt and made my head hurt. (In between, I was okay.)
One of my characters, Laura, is a prototypical Strong Woman. She is a successful lawyer. She used a sperm donor to have her son, whom she adores. She has a nanny/housekeeper who keeps her house running smoothly. She doesn’t need a man. To the outside world, she appears a bit cold because . . . she is a bit cold. So why should we care about her? Behind the crisp efficiency, there needed to be some sense that she wasn’t as capable as she seemed. (Side note: I realize that some people are as cool, calm and capable as they seem, but do you really want to read about them?)
One night while making dinner, I was trying to figure Laura out when Men at Work’s “Overkill” came on over Jango (which, if you’ll forgive the segue, I prefer to Pandora). The song begins with “I can’t get to sleep . . .” And then I knew: Laura was an insomniac. Somehow this realization was a huge step towards turning her into a real live — you know. Fictional character.








